Pretty nifty and very different looking/feeling site design for Jonathan Edmund-Jones. I like the way the top half is black and white and all text with the second half mostly color and work samples. It’s a nice reveal as you scroll down, creating a pretty nifty “moment” in the website.
From the Designer:
Online portfolio of Brighton based Designer, Jonathan Edmund-Jones.
Submitted by: Jonathan Edmund-Jones
Twitter: @jonnyej
Role: Designer
Country: United Kingdom
Pretty nifty and very different looking/feeling site design for Jonathan Edmund-Jones. I like the way the top half is black and white and all text with the second half mostly color and work samples. It’s a nice reveal as you scroll down, creating a pretty nifty “moment” in the website.
From the Designer:
Online portfolio of Brighton based Designer, Jonathan Edmund-Jones.
Submitted by: Jonathan Edmund-Jones
Twitter: @jonnyej
Role: Designer
Country: United Kingdom
Large, close targets are faster to hit than small, distant ones, that’s Fitts’s Law. A look at the 1954 rule behind buttons, prime and magic pixels, thumb zones, and dark patterns.
Your working memory holds about four things, not seven. Chunking groups loose information into meaningful units that slip past that limit, the psychology behind phone numbers, scannable pages, multi-step forms, and grouped navigation.
The Call to Action hasn’t changed in a decade, but the bar has. A fresh look at prominence, copy, mobile tap targets, and accessibility, with lessons from three major design systems.
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