I kind of love it and I kind of don’t at the same time. The art and tone are hilariously tongue-in-cheek but the design is a little too ‘in-your-face-every-element-is-going-to-be-humongous’. But… then again, it kind of works because of the hilariously tongue-in-cheek stuff. I’m torn. Leave us a comment and let us know what you think about the design.
I kind of love it and I kind of don’t at the same time. The art and tone are hilariously tongue-in-cheek but the design is a little too ‘in-your-face-every-element-is-going-to-be-humongous’. But… then again, it kind of works because of the hilariously tongue-in-cheek stuff. I’m torn. Leave us a comment and let us know what you think about the design.
Large, close targets are faster to hit than small, distant ones, that’s Fitts’s Law. A look at the 1954 rule behind buttons, prime and magic pixels, thumb zones, and dark patterns.
Your working memory holds about four things, not seven. Chunking groups loose information into meaningful units that slip past that limit, the psychology behind phone numbers, scannable pages, multi-step forms, and grouped navigation.
The Call to Action hasn’t changed in a decade, but the bar has. A fresh look at prominence, copy, mobile tap targets, and accessibility, with lessons from three major design systems.
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