This site is wonderful. It’s a perfect marriage of incredible art, information, and interaction. I often find that designers working with information make an arbitrary distinction between content and artwork. The artwork is treated as a supplement to the ‘real’ content. This site is a great example of how art and interaction can augment ideas and information. Every piece of information has a visual context. The experience is somewhat narrative and much more memorable.
Really nice work.
This site is wonderful. It’s a perfect marriage of incredible art, information, and interaction. I often find that designers working with information make an arbitrary distinction between content and artwork. The artwork is treated as a supplement to the ‘real’ content. This site is a great example of how art and interaction can augment ideas and information. Every piece of information has a visual context. The experience is somewhat narrative and much more memorable.
Really nice work.
Large, close targets are faster to hit than small, distant ones, that’s Fitts’s Law. A look at the 1954 rule behind buttons, prime and magic pixels, thumb zones, and dark patterns.
Your working memory holds about four things, not seven. Chunking groups loose information into meaningful units that slip past that limit, the psychology behind phone numbers, scannable pages, multi-step forms, and grouped navigation.
The Call to Action hasn’t changed in a decade, but the bar has. A fresh look at prominence, copy, mobile tap targets, and accessibility, with lessons from three major design systems.
wow! so inspiring )
Awesome! Congratz!